06.08.2018 Daniel Boudinet : le temps de la couleur
Daniel Boudinet : le temps de la couleur. This exhibition of photography will run from 16th June to 10th October 2018 at Jeu de Paume museum in Paris.
Daniel Boudinet : le temps de la couleur. This exhibition of photography will run from 16th June to 10th October 2018 at Jeu de Paume museum in Paris.
Paris roof tops is the name of a series of photographs made by Michael Wolf, presented on memento with his kind permission.
“For the members of Provoke, it was now necessary to remove photography from its ideological and factual straitjacket” (Diane Dufour)
“Ed Ruscha has produced paintings, photographs, prints, drawings, and films that often reference the city’s architecture, urban landscape, and car culture.” (Marla Hamburg Kennedy)
“One of the images taken by young photographer Bruno Barbey shows exactly the freedom of expression that Sartre, with Simone de Beauvoir by his side, are in the process of defending in a dynamic way” (Nathalie Parienté)
There is some mystery surrounding the circumstances that seem to have led Le Gray towards the port of Alexandria…
” Thomas Ruff cancelled out any resemblance to reality and broke with the traditionally more emotional representation of the subject.” (Elodie Morel)
Constellations of Joan Fontcuberta, presented by Nathalie Parienté, an art historian and exhibition curator, and notably «Joan Fontcuberta. Ad Litteram».
The photography was was blurred and the main subject matter had barely made it into the frame.
With « Preserved for a better day », artist Morvarid K. recalls the daily lives of people living in Tehran.
By using a machine instead of biology to sequence time via images, Etienne-Jules Marey (1830-1904) kick-started a change that would herald the future.
The individual is most often – if not always – mystified by what he or she has decided to see.
diptyque is Paris Photo’s official partner.
Talbot is the English inventor of photography, just as Niépce and Daguerre were the French inventors of the same.
Through Herbarium, one of his most emblematic work, the artist tackles fiction and irony to create a dynamic of doubt.
Daffodils, roses, orchids, irises, birds of paradise, tulips, each flower reveals itself to his serious and penetrating lens in the late evening light dappling the studio in which he lives.
Sudek’s mastery of the pigment printing process enabled him to produce highly atmospheric and evocative images, thereby reaping all of the reflective and descriptive power of the gelatin silver print.
« My meanderings through the world of photography made me veer firmly towards a religious and almost mystical perception of photography » (Pierre de Fenoÿl)
Since the Seventies landscapes have blossomed in the field of «fine art » photography.
Richard Mosse’s work is a real challenge to the system that obliges you to believe what you see. He gives us images of beauty to speak to us of pain and of danger.
Since the early days of photography, snaps have captured the world like some kind of visual encyclopaedia.
Marta Gili, Director of the Jeu de Paume and art critic, shares with us some texts and an interview, from the exhibition “Corps en résistance” catalog on the place of trees in the work of Valérie Jouve.
It’s at Saint-Cloud in 1921 that photographer Eugène Atget undertook a series named “Coins du Parc” (Corners of Park) which is about some trees neglected by the gardeners.
Photographer Winnie Denker knows the Eiffel Tower better than anyone. Writer Françoise Sagan hated this iron structure until seeing Winnie’s photographs. She then wrote the text to the photographer’s first book The Sentinel of Paris which was dedicated to the Tower.
He may have been the first to photograph the vast and the wild – his photographs of Yosemite Park are legendary.
Elodie Morel, Sales Director for photographs at Christie’s, reflects on Karl Blossfeldt work…
diptyque is one of the official supporters of this Paris Photo 2014, the annual international meeting for photography.